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He explains that each of the films show a “reality like ours, but not ours.” He also goes on to explain that he’s able to learn a lot about people in their reality by what they do in the alternate movie realities, which, by the way he looks at Jules with distaste, leads us to believe that he’s seen her do some pretty rotten things in the movies – which he refuses to tell her about. Speaking of madness, we also learn that the man in the high castle keeps track of the films because they are almost like a prophecy. This sets Jules off on a mission to find out who this man is and what role he plays in all of the madness. Of course we remember the film showed Frank being slaughtered by Joe, but there was another man in the film that Hawthorne is adamant she identify. As she describes the film, Hawthorne grows excited and asks her if she recognized anyone in the film. We learn that Jules’ captor is the Man in the High Castle himself, Hawthorne Abendsen, who’s brought Jules to him so that she may recount the contents of the film that she allowed Joe to escape with. So yeah, at this point Joe’s dead to me and Jules is dumb to be.
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Frankly, at this point I’m not sympathetic to Jules because she allowed not actual Nazi but still a low-key Nazi Joe (Luke Kleintank) to escape from the Resistance capture, resulting in him blowing up a ship full of Black smugglers and escaping with the film. The man is eccentric and a little frightening, demanding answers to his questions but yelling at Jules when she attempts to ask questions. So season 2, episode 1 (“The Tiger’s Cave”) begins with Jules (Alexa Davalos) waking up in some random dude’s bunker.
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Let’s talk what’s going on (and I’ll make it the abridged version since there are about 100 characters to keep up with): Either way, somehow TMITHC has managed to keep it’s pacing and storytelling style while feeling like a completely new show to me. We also begin to learn more about those films, which thank goodness because I was completely lost on those. Nope, episode one we were introduced to THE Man in the High Castle himself – and he’s crazy as hell. I figured, just like last season, TMITHC would give the audience time to settle in and reacquaint ourselves with the all of our people. I wasn’t prepared for the first episode at all. Season two doesn’t seem to move any faster than season one, but we definitely get the payoff of how much season one set up. Not that season one was a punishment, but with the show’s methodically slower pacing combined with its large roster of characters, it took a while for the ball to start rolling. I feel like season 2 of THE MAN IN THE HIGH CASTLE was a reward for making it through season one. The show will have to compensate for the lack of visual feast with more compelling drama.So let me ask this question – its time travel right? Is that what’s happening? Now its the same sets, with exteriors primarily confined to Canon City.
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When the show was more dense and immersive, the flawed characters could be overlooked, but now that the budget has been lowered, the productions elements have been scaled back. The cliffhanger ending feels desperate, but at least something is happening. The episode does show signs of life in its final minutes, with the scene in Copper Gulch Mine. Plenty of potential speculation for his future plans by episode's end. Frank is a much easier character to grasp. There is no emotional weight behind anything Joe says because it all may be a lie. Juliana is only slightly more developed, since we have seen evidence of her personal stake in the drama. Joe can be whatever you want him to be, because the writers and performance have given us nothing. This is a contrast with the other, more prominently featured characters. However, as broad as the Marshal is, at least he isn't boring. He does not fit in tonally with the other characters, and would be more suited for a fantasy or sci-fi show. He's essentially a bounty hunter/terminator of the Neutral Zone. That addition is a spaghetti western character complete with Stetson and rasp. There is, however, one major addition who sticks out like a sore thumb. The Illustrated Woman offers little new of interest. Three episodes in, and the show still has no direction.